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Michael Knopf
composer, musician, Australia
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Michael Knopf, 2006
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About two workshops and a session at the Australian Bahá´í arts
conference, September 1999.
by Michael Knopf.
For the Paramont Project Workshop about 20 people learned to
read basics quickly and we went through about 11 songs.
I presented the Cheve system of rhythm language for
notation. Each note has its own syllable, e.g. a quarter note (crotchet)
sounds ´ta´, and eight notes (quavers and a pair of them ) is ´ti ti´.
After spending about ten minutes learning a few of these, they were applied
to songs in the Paramount Project. When this was comfortable for most, we
learned the "do re mi " scale (the solfa system) and the Curwen hand signs.
All of these systems are used in the Kodaly music learning method which can
be found in most libraries and easily on the internet.
Listen to examples of his work at: www.michaelknopf.com
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We learned each piece by reviewing its rhythm using Cheve, its melodic
pitches using Solfa , and then the text was added and practised until
learned. The aim of the workshop was to make the group independent of a
teacher. We broke into smaller groups each of which had the task to learn a
new song on their own with only a little help from the facilitator. Most
groups got most of their songs correct after having only a rudimentary
introduction to the systems used.
For the second workshop, most of those present had previous
training in music but
not with the Tonic Solfa method of composing simple songs.
We learned the solfa major scale of
do re mi fa so la ti do, and experimented with singning different
scale degrees and intervals so that an aural familiarity was gained. These
were then applied to simple devotional texts to create a new song. Notating
involved using a simple symbol for the solfa pitch ( say d for do or r for
re) and sticks to indicate notes equal to a quarter note, and sticks with
tails for eighth notes. Each person was able to create a simple song for use
in private devotions.
My presentation, ´On the Edge of Failure´ reflected the risk
taken by spontaneous creators (such as Jazz improvisationists and free
improvisation proponents) in creating something meaningful for audiences.
The distinction made between improvisation and "spontaneous composition" in
my work is that the latter must present some form of musical architecture to
give form and thus communicate better with an audience.
The subtitle of this
workshop was ´Out of Nowhere´. This looked at the powers of
the soul in creativity and especially in spontaneous composition. Two
powers of the soul used are the mental properties of the mind
(thought, understanding, memory and imagination)
and inner -vision which is what Abdu'l-Baha calls the meditative faculty.
As the mind develops abstract thoughts from experience, and
concrete considerations, innervision releases abstract thoughts
without effort. They come from the spiritual realm. So, in improvisation,
I work at finding a release and then developing it to
create a spontaneous musical form.
Demonstrations of spontaneous composition were conducted on the classical
guitar using jazz, classical, flamenco techniques and drumming sounds. The
audience were conducted in a spontaneous composition with groups of two or
three saying various syllables randomly or in rhythm, breathing sounds, body
percussion and the loud declamation of the phrase ´What is this???´
Excerpts from Arts Dialogue, December 1999, page 8.
The Paramount Project is 38 new songs for devotional community singing.
The purpose of the Paramount Project is to assist community development and personal spiritual transformation by
increasing the level of quality participation in communal singing within the Bahá´í community. This music incorporates texts from
the Bahá´í Writings suitable for a wide variety of abilities and is appropriate for any individual or group wanting to use music
in devotional practice.
Songs are mostly a cappella and includes hymns, spirituals, chants, round and part songs.
The Appendix contains reference materials including musical scales and the col-fa associated with them.
Order the book: Michael Knopf, 10 sunnyside court Maleny Qld. 4552, Australia.
email: mknopf [AT] optusnet.com.au
Listen to examples of his work at: www.michaelknopf.com
Cost AUS$33 including postage payable by cheque, money order, or credit card. Orders from the US, Canada or the Caribbean
AUS$28, Orders from within Australia: AUS$24.
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- Review: ABS Arts Conference, Melbourne, Australia,
Arts Dialogue, December 1999
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Arts Dialogue, Dintel 20, NL 7333 MC, Apeldoorn, The Netherlands
email: bafa@bahai-library.com
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