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Abstract: The life and work of a one-time court artist for Nasiri'd-Din Shah, who was present for the nascent years of the Baha’i revelation and moved to Edirne to be near to Baha'u'lláh; examples of Islamic calligraphic traditions and his own compositions. Notes: |
The Calligraphy of Mishkin-Qalam
by Julie Badiee and Heshmatollah Badiee
published in Journal of Bahá'í Studies, 3:4, pages 1-22Ottawa, ON: Association for Bahá'í Studies North America, 1991
Download: badiee_calligraphy_mishkin-qalam.pdf.
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