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Search for tag "Bride (symbol)"

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  1. Immanence and Transcendence in Theophanic Symbolism, by Michael W. Sours, in Journal of Bahá'í Studies, 5:2 (1992). Bahá'u'lláh uses symbols to depict theophanies — the appearance of God and the divine in the realm of creation — such as "angel," "fire," and the prophets' claims to be incarnating the "face" or "voice" of God; these convey the transcendence of God. [about]
  2. Maid of Heaven, the Image of Sophia, and the Logos, The: Personification of the Spirit of God in Scripture and Sacred Literature, by Michael W. Sours, in Journal of Bahá'í Studies, 4:1 (1991). The Logos in Christianity and the Maiden for Bahá'u'lláh can be equated as one and the same eternal reality; the divine image of wisdom in Proverbs; Sophia and Logos are combined in the feminine personification of the Most Great Spirit. [about]
  3. Unpublished Talks by 'Abdu'l-Bahá, by Abdu'l-Bahá, in The Sufi Quarterly, 3 (1928). Four short talks given by ‘Abdu'l-Bahá in London, December 1912. These talks have not been published elsewhere and the translator is not identified. The original Persian text alluded to at the beginning seems not to be readily available. [about]
  4. Unsealing the Choice Wine at the Family Reunion, by John S. Hatcher, in Journal of Bahá'í Studies, 6:3 (1994). Bahá’í scripture portrays human progress as propelled by two inextricably related capacities: independently acquired knowledge coupled with social action; in revelation this dynamic relationship is symbolized by the Kitáb-i-Íqán and and the Kitáb-i-Aqdas. [about]
 
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