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Abstract: On the evolutionary character of Tobey's "City Paintings" during the decades of the 1930s-50s: they may be understood as modern reinterpretations of the traditional themes of the Apocalypse, Hell, the Day of Judgment, and New Jerusalem — the Bahá'í age. Notes: |
Mark Tobey's City Paintings:
Meditations on an Age of Transition
by Julie Badiee
published in Journal of Bahá'í Studies, 1:4, pages 21-39Ottawa, ON: Association for Bahá'í Studies North America, 1989
Download: badiee_tobeys_city_paintings.pdf.
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