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The publication of The Maxwells of Montreal Vol 1 - Early Years 1870–1922 by Violette Nakhjavani with the assistance of Bahiyyih Nakhjavani. It was published by George Ronald of Oxford.
Beginning with their childhood years, this is the story of May Bolles and Sutherland Maxwell; their youth, their meeting and courtship in Paris; their marriage;their first pilgrimages; the birth of their daughter and the historic visit of ‘Abdu’l-Bahá to their home in Montreal in 1912.
The second volume The Maxwells of Montreal: Vol 2: Middle Years 1923-1937, Late Years 1937-1952 was published by George Ronald in 2012. It appears that it is only available in the Kindle edition.
Completing the story of the Maxwells, including the pilgrimages of May and Mary Maxwell in the early years of the Guardian's ministry; their contributions to the advancement of the Bahá'í Faith in Canada, the United States, France and Germany; the marriage of Mary Maxwell to Shoghi Effendi; and Sutherland Maxwell's crowning achievement as architect of the Shrine of the Báb. |
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Bahiyyih Nakhjavani; Violette Nakhjavani; The Maxwells of Montreal |
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from the main catalogue
- The Woman Who Read Too Much: A Novel, by Bahíyyih Nakhjavani: Review, by Mary Sobhani (2018). [about]
- Artist, Seeker and Seer: A vocabulary and a perspective for the appreciation and creation of art inspired by the Bahá'í Writings, by Bahiyyih Nakhjavani, in Bahá'í Studies, 10 (1982). Imagery and metaphors from the Bahá'í Writings guide the appreciation and creation of art. They demonstrate that criticism vs creativity, logic vs. passion, and historicity vs. poetry have already been brought to a state of unity. [about]
- Emergence of a Bahá'í Consciousness in World Literature: The Poetry of Roger White, by Ron Price (2002). A study of White's verse with a short biography and an analysis of the Bahá'í Faith. [about]
- Exemption, by Bahiyyih Nakhjavani, in Bahá'í Studies Review, 3:1 (1993). Thoughts on Bahá'u'lláh's meaning in "exempting" women from certain Bahá'í obligations, especially pilgrimage. [about]
- Greatest Holy Leaf, The, by Bahiyyih Nakhjavani (n.d.). [about]
- Postsecular Look at the Reading Motif in Bahiyyih Nakhjavani's The Woman Who Read Too Much, A, by Mary A. Sobhani, in Journal of Bahá'í Studies, 25:1-2 (2015). Nakhjavani’s historical novel includes metaphors that underscore a link between the secular and the sacred through the material and metaphysical act of reading; cf. McClure’s Partial Faiths: Postsecular Fiction in the Age of Pynchon and Morrison. [about]
- Response, by Bahiyyih Nakhjavani: Review, by Elizabeth Shema, in dialogue magazine, 1:1 (1986). [about]
- Saddlebag, The: A Fable for Doubters and Seekers, by Bahiyyih Nakhjavani: Review, by Carolyn See, in Washington Post (2000). [about]
- Saddlebag: A Fable for Doubters and Seekers, by Bahiyyih Nakhjavani: Review, by Phyllis Sternberg Perrakis, in Journal of Bahá'í Studies, 12:1-4 (2002). [about]
- Silences of God, The: A Meditation, by Bahiyyih Nakhjavani, in Journal of Bahá'í Studies, 24:3-4 (2014). While the Word of God dominated the history of religion, contemporaries question the orthodoxy of language. God's Silence is also essential in shaping our individual choices and collective histories, and understanding Bahá'u'lláh's words. [about]
- Spiritual Inheritors, The, by Bahiyyih Nakhjavani, in dialogue magazine, 2:1 (1987). Reflections on growing up Bahá'í, and a report on a conference about capturing the power of the Six Year Plan to focus attention on the role of women in establishing global peace, the destiny of the women of North America, and equality of sexes. [about]
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