Search for tag "English literature"

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1. 'Abdu'l Bahá's Tablet of the Two Calls: Civilizing Barbarity, by Manooher Mofidi, in Lights of Irfan, Volume 6 (2005). The relatioship between civilization and barbarity, and the capabilities of humanity. [about]
2. 'Abdu'l-Bahá and Ezra Pound's Circle, by Elham Afnan, in Journal of Bahá'í Studies, 6:2 (1994). On the 1911 meeting between Ezra Pound, the famous American modernist poet, and 'Abdu'l-Bahá; links between the Bahá'í Faith and a number of important avant-garde circles in the West. [about]
3. Age of Anxiety and the Century of Light, The: Twentieth-Century Literature, the Poet's Mission, and the Vision of World Unity , by Suheil Badi Bushrui, in Journal of Bahá'í Studies, 13:1-4 (2003). W. B. Yeats, T. S. Eliot, W. H. Auden, and Kahlil Gibran were writers who recognized and confronted the spiritual and intellectual crisis of their time. The mission of the poet is to bear witness, maintain the integrity of language, and express truths. [about]
4. Author's Response to Commentaries on "The Purpose of Poetry", by Shirin Sabri, in Journal of Bahá'í Studies, 2:2 (1989). [about]
5. Dichotomies of Charles Dickens still hold true today, The, by Ted Slavin, in St. Catharines Standard (2011). On the state of the present-day world, which swings between the extremes of unprecedented achievements and unimaginable horrors. [about]
6. Dimensions of Spirituality: Reflections on the Meaning of Spiritual Life and Transformation in Light of the Bahá'í Faith, by Jack McLean (1994). The search for truth; models and profiles of spiritual transformation; the mystical sense — prayer and meditation; a paradigm of spirituality and life tests; spiritual anthropology — the self and the soul; imagination; faith, love, and knowledge. [about]
7. Four Levels of Detachment in Doris Lessing's Shikasta,, The, by Phyllis Sternberg Perrakis, in Journal of Bahá'í Studies, 14:3-4 (2004). The concept of detachment in Bahá’u’lláh’s Writings and its application to Doris Lessing’s Sufi-inspired novel, Shikasta; the reciprocal relation between detachment and attachment and service to the new prophet. [about]
8. Genesis in King Lear: Joseph's Many-Colored Coat Suits Shakespeare, by Tom Lysaght, in Journal of Bahá'í Studies, 29:3 (2019). Creative comparison of the biblical figure of Joseph and the character of Edgar in Shakespeare's King Lear, in light of the Báb’s and Bahá'u'lláh's Writings. [about]
9. Good of the World and the Happiness of the Nations, The: A Study of Modern Utopian and Dystopian Literature, by Elham Afnan, in Journal of Bahá'í Studies, 1:4 (1989). The Bahá'í Writings, with their new understanding of human destiny, can bridge the gap between utopian visions of progress from 19th-century literature and dystopian visions of 20th-century fiction, disillusioned by war and social and economic disasters. [about]
10. "Good of the World and the Happiness of the Nations: A Study of Modern Utopian and Dystopian Literature," by Elham Afnan: Commentary, by Ross Woodman, in Journal of Bahá'í Studies, 2:1 (1989). [about]
11. "In the Beginning Was the Word": Apocalypse and the Education of the Soul, by Ross Woodman, in Journal of Bahá'í Studies, 5:4 (1993). Hidden meanings in scripture and the soul are metaphorically identified with the huris, or brides. The bridegroom, Bahá'ulláh, enters union as the marriage of the Manifestation with the Maid of Heaven, who releases the Logos and the newly created soul. [about]
12. Joycean Modernism in a Nineteenth-Century Qur'an Commentary?: A Comparison of The Báb's Qayyūm Al-Asmā' with Joyce's Ulysses, by Todd Lawson, in Erin and Iran: Cultural Encounters between the Irish and the Iranians, ed. H. E. Chehabi and Grace Neville (2015). Comparison of the formal structure of the two works and themes such as time; oppositions and their resolution; relation between form and content; prominence of epiphany; manifestation, advent and apocalypse; and the theme of heroism, reading and identity. [about]
13. List of Articles on BahaiTeachings.org, by John S. Hatcher (2021). List of online essays and articles by Dr. John Hatcher. [about]
14. Literary Criticism, Theology and Deconstructionism, by Jack McLean (2001). A dynamic tension exists between literary criticism and theology as distinct but mutually beneficial forms of discourse, which can enrich Bahá'í Studies by deepening exegesis and by correlating Bahá'í teachings with progressive movements. [about]
15. Long, Withdrawing Roar, The: The Crisis of Faith and Nineteenth-Century English Poetry, by Edwin McCloughan, in Solas, 2 (2002). A Bahá'í response to the argument that the crisis of faith in the late 19th century was conditioned by historical circumstances and has therefore little relevance for a contemporary reader. [about]
16. Mountain of God, The, by E. S. (Ethel Stefana) Stevens, in World Order, 4:3-4:4 (1911). Book excerpts, sympathetic portrayal by a non-Bahá'í of Abdu'l-Bahá and the small band of Bahá’ís who lived in Haifa and 'Akká early in 20th Century. [about]
17. Phoenix and the Ashes: The Bahá'í Faith and the Modern Apocalypse, by Geoffrey Nash: Review, by John Huddleston, in dialogue magazine, 2:2-3 (1988). 19th-century optimism, disillusionment with contemporary society, philosophy of history, political theory, Arthur Koestler and Aldous Huxley, and the future of humanity. Includes review of Jon Winokur's The Portable Curmudgeon, by Robert Ballenger. [about]
18. Place of Poetry in Religion and Society, The: An Interview of Robert E. Hayden with Douglas Ruhe, by Robert E. Hayden and Douglas Ruhe, in Journal of Bahá'í Studies, 24:3-4 (2014). Introduction by Hatcher to the life of Hayden (2014); transcript of a talk between Hayden and Douglas Ruhe in 1975 on the future of poetry, transcendence, American destiny, important American poets, the Library of Congress, and Bahá'í spirituality. [about]
19. Purpose of Poetry, The, by Shirin Sabri, in Journal of Bahá'í Studies, 1:1 (1988). Justifications for the work of contemporary artists; now is the time for Bahá’ís to work towards the flowering of civilization, using art as a unifying force to create links of understanding; poetry provides a means of approaching spiritual reality. [about]
20. "Purpose of Poetry," by Shirin Sabri: Commentary, by David L. Erickson, in Journal of Bahá'í Studies, 2:1 (1989). [about]
21. Role of the Feminine in the New Era, The, by Marion Woodman, in Journal of Bahá'í Studies, 2:1 (1989). The  unveiled feminine, symbolized by the unveiling of the Persian poet Táhirih at the conference of Badasht in 1848, announces a long-awaited coming of age or psychic integration. [about]
22. Shelly's Life and Writings, by William Michael Rossetti, in The University Magazine, Volume 1 (1878). Brief overview of the Bábí Faith and Qurratu'l-Ayn vis-a-vis themes and personages in "The Revolt of Islam," a poem in twelve cantos composed by Percy Bysshe Shelley in 1817. [about]
23. Shoghi Effendi: An approach to his artistic contribution to style in English literature and to standards in translation, by Nobel Perdu and Ismael Velasco, in Traducción, cultura e inmigración. Reflexiones interdisciplinares, ed. García Marcos et al. (2004). On the technical and literary features of Shoghi Effendi's translations of Bahá'í scriptures: translation vocabulary; interpretation; features of his 'neo-classical' English used to elevate the text.  [about]
24. Spiritual Oppression in Frankenstein, by Phyllis Sternberg Perrakis, in Journal of Bahá'í Studies, 9:4 (1999). Comparing Shelley’s depiction of a spiritual malaise in Frankenstein with Bahá’u’lláh’s definition in the Kitáb-i-Íqán of the oppression experienced at the end of a reigning spiritual dispensation by the soul who seeks God but does not know where to look. [about]
25. Symbols of Individuation in E. S. Stevens's The Mountain of God, by Cal E. Rollins, in Journal of Bahá'í Studies, 1:4 (1989). Stevens’s novel records impressions of the Bahá'í community in ‘Akká and Haifa in 1911. The two main characters are moving through an "individuation process" which could lead them to the Bahá'í Faith. Jungian literary criticism explains the symbolism. [about]
26. "The Purpose of Poetry," by Shirin Sabri: Commentary, by Jack McLean, in Journal of Bahá'í Studies, 2:1 (1989). [about]
27. The Writings of Bahá'u'lláh, by Horace Holley, in Star of the West, 13:5 (1922). On the creative nature of literature; the writings of Shakespeare; Bahá'u'lláh as author; the influence of the Divine shines through the writings of Bahá'u'lláh. [about]

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